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Gesture as the language of art: from pantomime to oratory

Author: Mykola Ovcharov
14 May 2025
Gesture as the language of art: from pantomime to oratory
Annotation
This article explores gesture as an independent language of artistic expression and communication — from cave paintings and ancient sculpture to pantomime, ballet, and contemporary cinema. The author draws on personal experience studying at the pantomime studio of the Pechersk Plastic Drama Theater in Kyiv, where he trained in the techniques of the prominent French mimes Etienne Decroux and Marcel Marceau, and traces how the principles of pantomimic art — the openness, groundedness, and meaningfulness of gesture — became the foundation of his oratorical practice. The article argues for the universality of body language as an intercultural means of conveying meaning and emotion, uniting visual art, theatre, cinema, and rhetoric within a single tradition of nonverbal understanding of human nature.
Keywords
gesture, pantomime, body language, nonverbal communication, oratory, plastic drama, Etienne Decroux, Marcel Marceau, silent cinema, artistic expression.

Nonverbal communication, or body language, is one of the oldest forms of human communication. Gestures were the first means of conveying plots and content in artistic creation, an integral part of rituals and traditions. This unique language runs through the entire history of world art, uniting cultures and civilizations, transmitting knowledge from generation to generation and shaping the modern educated person.

Body language in visual arts
Before the advent of sound cinema, body language was the main means of communication in the visual arts. With the help of gestures, poses and facial expressions, artist could depict mythological, religious and other fantastical plots. Thanks to the poses of the heroes of rock paintings, we understand their actions and study our own history. The poses of ancient gods give us an idea of their characters and traits. And the non-verbal interaction of the characters of medieval frescoes reveals the atmosphere and relationships between them.

Personal experience in a pantomime studio
My acquaintance with sign language deepened during my studies at the pantomime studio of the Pechersk Plastic Drama Theater in Kyiv. This experience became decisive for the development of my oratorical skills, because it was there that I realized the importance of non-verbal means of communication. Unfortunately, in traditional training of speakers, body language is often not given enough attention. Instead, in the studio we deeply studied the nature of the gesture, its impulse, freedom, justification and content.

The classes were based on the techniques of the prominent French mimes Etienne Decroux (mime pure) and Marcel Marceau. These techniques taught me that the speaker's gesture should be, above all, open, grounded, and meaningful. Such principles are common to the arts of pantomime and oratory.

From silent cinema to the present day
My fascination with nonverbal communication was also reflected in my first encounters with wordless films. I am convinced that physical expressiveness should be enough to understand the action and idea of a work of art, and verbal means are appropriate only when they carry a special semantic load.

One of my favorite techniques is watching movies without sound. This is a kind of test for the quality of filmmaking. If the plot and emotions are understandable without words, the director has managed to skillfully use the actors' body language. Therefore, I especially appreciate dance, ballet, and pantomime, where body plasticity really comes to the fore.

Through the nonverbal interaction of silent film characters, we understand the plot, sympathize, laugh, and respond emotionally. And today, body language remains crucial in art, film, and theater. Actors carefully think through each movement so that it matches the character's personality. Artistic performances often take place without words in order to be understandable to everyone. Magazines, books, photographs, and posters convey a static action that contains both informational and emotional components.

Universal sign language
Like music, body language is a universal means of communication that unites people from different corners of the world. Regardless of cultural or linguistic differences, we are able to understand and feel nonverbal messages encoded in movements and gestures. This ancient language preserves our common roots, from which new forms of art and interaction sprout.

Gesture is not just an auxiliary element, but a full-fledged means of artistic expression and communication. Mastering body language is an invaluable experience for artists and speakers, as it opens up new facets of understanding human nature and allows you to convey ideas and emotions on a deeper level.

Red flags:
- The use of words in art to explain an action that artists are unable to convey due to lack of experience or talent
- Neglecting the importance of nonverbal communication
- Lack of interest in plastic arts

Blue flags:
- Creating works of art where words are not needed to understand the content
- Giving preference to plastic drama over verbal drama
- Watching silent films, pantomime and ballet performances
- Study and application of the principles of non-verbal communication in public speaking